The collapse of a viable world concept of order leaves John Ford's
characters with a modern problem--how to behave without demonstrable
and reliable principles upon which to base their actions. The
individualists among them try to establish order by mere affirmation
of opinion. Other personae cling to the sacred, conservative value
of the vow or contract, and are either the agents or the victims of
the gulf between their avowed principles and the pragmatic demands
of a "corrupt" world. Many characters also attempt to find
reassurance in the predictable patterns of ritual behavior, only
to discover the inefficacy of such ritual to protect them from or
console them for a personal loss of meaning in their world. Ford's
characters become "existential" figures, even though the models they
adopt are often relics of the past (vows, rituals) which they must
simply affirm, by their performances, bereft of the metaphysical
support they might once have had.