THE ANIMATED SCREENDANCE: CINEMA, BODY, CHOREOGRAPHY, AND DISNEY’S FANTASIA

File
Publisher
Florida Atlantic University
Date Issued
2023
EDTF Date Created
2023
Description
The animated screendance presents a meaningful experience through the medium of cinema as seen emerging from Mickey Mouse’s early cartoons, Silly Symphony’s experiments, and Fantasia (1940). The core focus of this research investigates the emotional and affective identifications of the audience engendered through the qualities of animation and the screendance. Drawing from the theories of the animated screendance, a term that shows how cinema can construct affective characters across the artistry of their inherent dance, I argue that these films elicit new understandings of the choreographed body. This is derived through the lens of artistic cartoon animation along with the emotional experience of the spectator by examining the critical body, dance, and film practices that form these bonds. Taking a qualitative approach by analyzing the many films in question through robust textual analysis while including theory on mythological narrative and physiognomy brings us to associate the elements of the body and screendance that influence culture and society. The reason for this approach leads us to recognize the importance of the animated dancing body as an imaginative form that can be controlled and manipulated by the pre-conceived ideas of the animators and human labor dictating these images. The screendance also provides additional layers of signification by including the construction of narrative and psychology through the processes of cinematography and editing, which is further placed onto these characters to increase their believability and emotional connection. All the bodies in question have similar elements that refer back to the human referent and focus on the choreographies that create meaning for these beings. The findings indicate that audiences are emotionally connected to the animated dancing characters on the screen through the importance placed on the representation of human form and cinematic structure to create memories and magic.
Note

Includes bibliography.

Language
Type
Extent
237 p.
Identifier
FA00014305
Rights

Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.

Additional Information
Includes bibliography.
Dissertation (PhD)--Florida Atlantic University, 2023.
FAU Electronic Theses and Dissertations Collection
Date Backup
2023
Date Created Backup
2023
Date Text
2023
Date Created (EDTF)
2023
Date Issued (EDTF)
2023
Extension


FAU

IID
FA00014305
Person Preferred Name

Elfenbein, Matthew Ari

author

Graduate College
Physical Description

application/pdf
237 p.
Title Plain
THE ANIMATED SCREENDANCE: CINEMA, BODY, CHOREOGRAPHY, AND DISNEY’S FANTASIA
Use and Reproduction
Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Origin Information

2023
2023
Florida Atlantic University

Boca Raton, Fla.

Place

Boca Raton, Fla.
Title
THE ANIMATED SCREENDANCE: CINEMA, BODY, CHOREOGRAPHY, AND DISNEY’S FANTASIA
Other Title Info

THE ANIMATED SCREENDANCE: CINEMA, BODY, CHOREOGRAPHY, AND DISNEY’S FANTASIA