Publisher
Florida Atlantic University
Description
The comic plays of Munoz Seca have not received the critical acclaim, even the mention they deserve in drama criticism and theater histories. His comedies, originally performed between 1904 and 1936, have been hastily or superficially evaluated, and the merits of his canon have been entirely overlooked. Historical and critical backgrounds help introduce his work and establish a classification of the texts (over two-hundred plays), including especially the genre he invented, the astracan, and the character type he created, the fresco. Unique word-play underlies his typical use of caricature and parody. Comic verbal techniques include dialect, periphrasis, barbarism, and play on words. In general, beneath comic surfaces, lies sharp and consistent criticism of all that is false and pretentious in the Spain of his day.
Note
Dorothy F. Schmidt College of Arts and Letters
Extension
FAU
FAU
admin_unit="FAU01", ingest_id="ing1508", creator="staff:fcllz", creation_date="2007-07-19 02:55:10", modified_by="staff:fcllz", modification_date="2011-01-06 13:09:11"
Person Preferred Name
Leon, Gisela G.
Graduate College
Title Plain
Comic techniques in Munoz Seca
Use and Reproduction
Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
http://rightsstatements.org/vocab/InC/1.0/
Physical Location
Florida Atlantic University Libraries
Title
Comic techniques in Munoz Seca
Other Title Info
Comic techniques in Munoz Seca