This thesis examines several aspects of Thomas Lodge's Rosalind,
including the structure of the work, its style, and the parodies of
courtly love and petrarchism which it contains. Analysis reveals
a triadic structure which develops patterns of three similar and
related events, actions, relationships , character types, and
situations. Within this structure, Lodge has created a parody of
courtly love role play, and a parody of petrarchan literary
conventions. Each parody supports and promotes the other. Lodge
accomplishes this in a style which exaggerates some of the elements
of John Lyly's style while disregarding others. The consequence of
Lodge's mimicry has been a persistent mislabeling of his style as
"euphuistic," and a misleading suggestion that the complex and unique
style of Rosalind is mere imitation.