Note
Thesis (B.A.)--Florida Atlantic University, Harriet L. Wilkes Honors College, 2024
Member of
Publisher
Florida Atlantic University
Date Issued
2024
EDTF Date Created
2024
Description
This thesis aims to deconstruct William Blake’s argument on the meaning of God through his various writings from a modern perspective. Utilizing both recent examples and other depictions of divinity, this research aims to illustrate Blake’s perspective-in a non-blasphemous manner-that God is inherently derived from man, and that true divinity stems from creative expression
Language
Type
Genre
Form
Extent
28 p.
Identifier
FAUHT00290
Rights
Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Additional Information
Thesis (B.A.)--Florida Atlantic University, Harriet L. Wilkes Honors College, 2024
Date Backup
2024
Date Created Backup
2024
Date Text
2024
Date Created (EDTF)
2024
Date Issued (EDTF)
2024
Extension
FAU
IID
FAUHT00290
Organizations
Attributed name: Florida Atlantic University
Person Preferred Name
Berenzweig, Jack
author
Harriet L. Wilkes Honors College
Physical Description
application/pdf
28 p.
Title Plain
THE DIVINE MIRROR: HOW WILLIAM BLAKE’S POETRY REFLECTS ON HUMANKIND AND THE CREATIVE PROCESS
Use and Reproduction
Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
http://rightsstatements.org/vocab/InC/1.0/
Origin Information
2024
2024
Florida Atlantic University
Jupiter, FL
Place
Jupiter, FL
Title
THE DIVINE MIRROR: HOW WILLIAM BLAKE’S POETRY REFLECTS ON HUMANKIND AND THE CREATIVE PROCESS
Other Title Info
THE DIVINE MIRROR: HOW WILLIAM BLAKE’S POETRY REFLECTS ON HUMANKIND AND THE CREATIVE PROCESS