Concentrating on Eliot's "The Love Song of J. Alfred Prufrock," with M. L. Rosenthal's term "floating realities" as my starting point, I discuss how time and its malleable nature relates to Prufrock's "linear reality" and his "non-linear" "floating realities." Prufrock's "linear reality" is the external world of appearances and his internal psychological landscape. I then reveal the "floating realities" that are generated by Eliot's otherworldly allusions. Finally, I discuss chaos theory, another way to explore the poem's multi-dimensional nature.