“THIS LAND IS IN MY BONES”: WITCHES, MAGIC, AND ECOLOGICAL RELATIONALITY IN TERRY PRATCHETT’S TIFFANY ACHING SERIES

Tiffany Aching and the Witches of the Discworld Series use knowledge that is based on working with and connecting to the natural world instead of against it, primarily through their use of magic without using magic and their use of “headology,” to create the desired effect without detriment to the ecology of the Discworld. This puts them in contrast with the male, Unseen-University wizards, whose magic works against the ecology of the Discworld as it changes and corrupts the world around it. Further, the relationship that Tiffany Aching has within her home, the land she was born in, and her ecology becomes a nexus between the natural world and human communities. This connection between herself and her land is comparable to the one that Ged learns through his journey in Ursula K. Le Guin’s A Wizard of Earthsea. This connection between the authors is not simply a categorical one but one that connects them, their work, and an ideological push against individualism that relies on interconnectedness between species.