The superhero film genre has recently witnessed a reinvention of the girl sidekick.
Instead of falling back on the perpetuated and well-known stereotypes of female
heroines, recent offerings have allowed for several strong and innovative female
characters to emerge. This close textual analysis of specific feminist examples from the
films, Kick-Ass (2010), Scott Pilgrim vs. The World (2010), and X-Men: First Class
(2012), examines young heroines as having feminist tendencies in a postfeminist
moment. This analysis employs aspects of film theory, feminist theory, and also focuses
on adaptation as a potentially powerful and problematic tenant of the films. Through this
thesis, I contend that while none of these characters are positioned or marketed as
specifically feminist, their collective resistance to hegemonic ideals underscores a
movement towards articulating the failings of postfeminism in contemporary girlhood.