Publisher
Florida Atlantic University
Description
In my thesis I look at three novels by Don DeLillo: Americana, Mao II, and Falling Man. These three novels, published in 1971, 1991, and 2007 respectively, represent the full range of DeLillo's body of work, and demonstrate a clear progression of the major themes in his writings. Each of these novels presents a protagonist who is on a journey of self-discovery, effectively seeking what many critics have identified as an outdated form of self--a Modernist notion of self. The problematic nature of identity in these novels is exacerbated by changes in representation and warfare, particularly the perceived loss of originality and the rise of terrorism. Thus, I not only trace the continuation of the search for self in these novels, but also DeLillo's inclusion of terrorism in the novel. The changes in warfare give rise to an anxiety that further complicates the search for self in America.
Note
by Jaime Frances Neudecker.
Rights
Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Extension
FAU
FAU
admin_unit="FAU01", ingest_id="ing2790", creator="creator:SPATEL", creation_date="2008-09-02 14:44:05", modified_by="super:FAUDIG", modification_date="2012-06-05 11:56:11"
Person Preferred Name
Neudecker, Jaime Frances.
Physical Description
electronic
electronic resource
iv, 52 leaves.
Title Plain
search for self in the postmodern novel
Use and Reproduction
Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Title
search for self in the postmodern novel
Other Title Info
A
search for self in the postmodern novel
Don DeLillo's Americana, Mao II, and Falling Man