In the years following World War I, William Faulkner
implied to his family and acquaintances that he had been a
pilot in the RAF. Some people even thought that he had flown
combat missions in France and had been wounded. He maintained
this fictitious persona throughout his life, and it was
accepted by most scholars and biographers. Several of
Faulkner's early works featured aviators as central characters,
and he treated them as romanticized, tragic heroes as
he did Confederate cavalry officers. Pylon, which was written
after he had actually started flying, reflects an awareness
of the psychology of flying not seen in his earlier works.
Faulkner's "wounded pilot" persona was only one facet of his
imaginative and creative personality, but knowledge of this
persona is necessary to the understanding of the man and thus
his art.
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