Poetry

Model
Paged Content
Publisher
Norman, Morrison, & Matthews
Description
"Published by request of the societies." Includes verse. Includes bibliographical references. FAU copy has original printed blue decorated wrappers; side stitched with cord.
Member of
Model
Paged Content
Publisher
Lippincott, Grambo and Co.
Description
In the Tenth Presbyterian Church, Philadelphia by Henry A. Boardman, D.D. Cover title: The Union. Notes: Includes correspondence and verse. Copyright 1851 by Lippincott, Grambo and Co. "Philadelphia: T.K. and P.G. Collins, printers."--Title page verso. Includes bibliographical references. FAU Libraries' copy in original paper wrappers; edges trimmed to 20 cm.
Member of
Model
Digital Document
Publisher
Florida Atlantic University
Description
As humans, we walk through this world hauling remnants of all our individual and collective experiences. We are composites of the things we have seen, been through, the things that have touched our lives and marked us permanently. We are, ourselves, residues of the things that shape the worlds we inhabit and the worlds that inhabit us. On a collective level, people of the Caribbean, particularly those of African descent, are residues of a colonial past that was fraught with violence on every level and a successive local legislature that continues to perpetuate much of the exploitative practices of colonialism. On a personal or individual level, most of us have suffered injury to our psyche and to our bodies that have rendered us what we are today. We are, in a sense, residue (what-lefts) hauling residue, carrying the twin load of what Paula Morgan describes in her book, The Terror and the Time, as “violence and trauma induced by the outworking of [historical and] structural inequalities” along with dust we accrue in our personal walk through this world (2). And whether we admit it or not, the lives we now live, the relationships we sustain or fail to sustain, and the lives we impact are touched by the residue of experiences we carry with us into those spheres.
Model
Digital Document
Publisher
Florida Atlantic University
Description
The work is an original volume of poetry with an introduction by the author, which both discusses the influence of other poets and places the work within the canon of American literature. The poetry lies within the lesbian feminist tradition associated with Audre Lorde, Judy Gahn and Adriene Rich. This is a free verse poetry that combines extensive use of the confessionalist school's "I" voices with the concrete school's sculpting of the poem on the page. By drawing on a variety of divergent sources, such as T. S. Eliot, Robert Browning and Marge Piercy, the poet provides a diverse range of dramatic voices and approaches. This is an attempt to further expand through the process of integration the stylistic options available in the general poetic canon. In addition, the poet hopes to deepen the representation of individuals who have been traditionally "muted" in Western literature, by providing them with a "voice" in her poetry.