Metaphor

The commodification of the female body is a vital concern that can be seen throughout history from the rhetoric consumed by societies. This thesis will give a rhetorical analysis of the websites of the milk banks of Prolacta Bioscience, Medolac, and The Human Milk Banking Association of North America. This will demonstrate how commodification, erasure, and disembodiment occurs to the mothers who donate their milk. I will examine how each organization offers up mothers, their milk, and infants as complete separate entities. My argument will propose a new metaphor I will define as the unfiltered raw public. I will demonstrate how this metaphor might better serve to restructure rhetoric to tether the mothers back to their bodies more sustainably for a cyborg future. The unfiltered raw public seeks to shift future discourse to reflect one more inclusive to difference rather than a future that commodifies the female body.

The employment of metaphors in drawing meaning from our experiences is an
indispensable ingredient in most patient narratives. More specifically, they are essential
to the conceptual system we reference to understand and respond to the disruptions
brought upon by chronic illness. Through an analysis of patient narratives penned by a
group of contemporary American authors, this study identifies trends in how patients can
use metaphor to “bridge” the gap between their lives pre and post diagnosis, a process
that in many cases presents vulnerability as a viable remedy for alleviating the alienation
and diminished self-image so often impacting the lives of patients with lifelong disorders.

Pilgrimages have produced volumes of textual reflections by pilgrims and
outside observers. These writers represent a wide variety of disciplines from travel
theorists to travel bloggers, medieval historians to modern anthropologists and
sociologists. The findings of this study reveal two major complex metaphor systems:
one based on a series of interlaced existential metaphors orbiting the nuclear LIFE IS A
JOURNEY and the other stemming from a network of economic metaphors of MORAL
ACCOUNTING. The symbolic exchange embedded in these metaphorical systems
reflects the human desire for a meaningful and worthy life. These mutually
supporting complex systems of metaphor reveal an existential connection between the
medieval pilgrim and the contemporary tourist.

The Marvel character Captain America was created in 1941 as an unabashed, patriotic icon who was meant to inspire Americans in the face of war. At the end of World War II, however, American identity underwent a split between diplomatic "prophetic realism" and aggressive "zealous nationalism." The inherent dilemma for Captain America quickly became which side of the American psyche he was to represent. Marvel has dealt with the problem of representation by allowing the original Captain America to be a prophetic realist, while introducing "doubles" of Captain America who act as zealous nationalists. In each era of Captain America's publication, the conflict between the real Captain and his zealous doubles has provided a dialogue on the American spirit, while allowing for meaningful speculation on what the future holds for this country.