Mythology

Mythological stories are more than stories. They are important because they give context to our world, our literature, and our own beliefs and carry forward cultural values and tales over generations. So many efforts have been made to pass mythological stories from generation to generation through various forms including traditional storytelling, songs, and films. This thesis explores if learning mythology can be more immediate and fun by instructing it through an immersive, interactive game known as an Escape Room. Riddles of the Gods is an Egyptian theme-based Escape Room that uses the medium of Virtual Reality. It creates an interactive, educative, and entertaining experience for participants. It also provides an opportunity to contribute towards keeping traditional and cultural values alive, in a more expressive form using the latest technologies such as Virtual Reality which are relatable to the current and future generations.

That Hideous Strength is a treatise on C. S. Lewis's unique conception of mythology. He believed myths conveyed the inexplicable, transcendent reality existing at the universe's center. Distortions as well as accurate reflections have existed in myth thoughout time. That Hideous Strength symbolically exposes the falsity of distorted myths because the institute that is constructing an "ideal" society, founded on evolutionism and utopianism, is annihilated. The veracity of true myths is exemplified in the triumph of a small insurgent group aided by the Graeco-Roman deities and a revived Merlin. The novel's symbolic core is the "myth which became fact," which Lewis believed is the prime reality accurate myths mirror. Ultimately, denial of that reality condemns those deceived by false myths. But affirmation of the "myth which became fact" ensures victory for those enlightened by true myths.

The structural dynamics underlying mythical expression have been clearly
demonstrated in the work of Claude Levi-Strauss. Myths and series of
myths are shown to be fields where contradictory terms are stated and
mediated. In the past, consideration of myth structure has generally
been through the examination of particular component relationships. The
present study, wit·h the aid of computer application, attempts to define
a network of term relationships and thus integrate numerous mediating
systems associated with the final expression. The proposed methodology
is demonstrated through the analysis of contemporary Mesoamerican myths.