Smith, Cordwainer , 1913-1966

Science fiction identifies three characteristics as definitive of and essential to humanity: 1) sentience or self-awareness, 2) emotions, and 3) most importantly, the capacity for sociability. Through the vital possession of these three traits any entity can come to be called human. In the first chapter, I examine Cordwainer Smith's "Scanners Live in Vain" and Samuel R. Delany's "Aye and Gomorrah...," two stories in which human subjects become Other than human. In the second chapter, I explore the prospect of creatures, not biologically human who gain human status through an analysis of Smith's "The Dead Lady of Clown Town" and Philip K. Dick's Do Androids Dream of Electric Sheep? In the third chapter, I investigate the uniquely science fictional notion that "humanity" does not require biology through a comparison of H.G. Wells's The Island of Dr. Moreau and William Gibson's Idoru.

This thesis challenges dualistic human and animal ontologies by interpreting science fiction (sf) literature, and argues that whereas words can equivocate and obscure meaning, bodies do not lie. Linguistics and semiology extend the definition of "language" to include human and nonhuman gestures and movement, and posthumanist theory expands definitions of "human" and "animal" to explore species boundaries. Scrutinizing opposing dualisms ultimately questions Western epistemology and authority, allowing for an exploration of embodied animal communications within the larger discourse on species and speciesism. This perspective results in a more comprehensive understanding of the interdependence of all species: human, animal, and "other." Although the fictional texts I employ use fantastic elements to posit hypothetical realities, current scientific research reveals that communication with nonhuman animals is indeed possible.

This project considers the future, and the hope for humanity within three dystopian science fiction works : Mordecai Roshwald's Level 7, Cordwainer Smith's "The Dead Lady of Clown Town," and James Tiptree, Jr.,'s "The GIrl Who Was Plugged In". There are many aspects and different manifestations of hope in science fiction, even in authors who show readers the darkest side of human nature and what will become of humans, and by default earth, if an effort is not made to change the world's direction. Though some dystopian stories show horrible possible futures, there is an underlying hope within these stories that the story will change readers' thinking about how the future might unfold. It is because there is a chance to save the world that science-fiction-authors tell stories about disasters, destruction, and post apocalyptic scenarios. It is within the hopeless story lines that hope for humanity manifests itself.