Homosexuality

The present study examined the relationship between Action Identification and Homosexual Identity Formation. Specifically, it examines how homosexual male individuals view their actions differently when they are “in the closet” (not open about their sexual orientation) compared to being out today (open about their sexual orientation). Homosexual male participants (N=142) took an online survey containing the internalized Homophobia scale, Self-concept clarity scale, and general demographics questions and took the Behavioral Identification Form with an additional 20 items twice (BIF+). The participants were instructed first to answer the BIF+ as if they were in the closet and later took the same form as they are today, being comfortable with their sexual orientation. Using the original 25-item BIF, a paired t-test revealed a significant difference in the out-of-the-closet (M = .65, SD = .19) from the closeted (M = .60, SD =.21), t(141) = 3.3, p < .001. The effect size measured by Cohen’s d was d=.28, indicating a small effect. With the additional 20 items, a paired t-test for the BIF+ revealed a significant difference in the out-of-the-closet (M = .69, SD = .15) condition, compared to being closeted (M = .63, SD = .19), t(141) = 4.4, p<.001. The effect size, measured by Cohen’s d, was d=.37, indicating a small effect. These findings suggest that when homosexual men are closeted, they tend to view their actions at a lower level compared to when they are open about their sexual orientation.

The character of James Bond which was first introduced in Ian Fleming’s first novel Casino Royale in 1953 and was then featured in 11 subsequent novels, 2 volumes of short stories, and 24 film adaptations has long been considered to be the ultimate man’s man. There is no feat he cannot conquer, villain he cannot best, or lady he cannot bed. However, in an examination of both the novels and the film, clues exist to Bond’s deeper psyche—most notably his repressed homosexuality. While much discussion has been had of Bond’s misogyny, in many ways it masks his true identity possibly even from himself. Utilizing a framework of theoretical analysis drawing upon Sigmund Freud, Jack Hallberstam, Judith Butler, Susan Sontag, Laura Mulvey, and Charles Klosterman (among many others), this dissertation will fully explore the character Fleming created. Additionally, by examining how the male gaze and camp elements have been utilized by the filmmakers in the Bond films, analysis will be conducted how those elements contribute to a “queerness” of the character’s film incarnations.

This research is based on an ethnographic study conducted in 2008. The study took place in Ecuador's coastal province of Manabâi and investigates the lives of a community of transvestite males, known locally as travestâis. This research holds that the social space in which the travestâis live and work, in Puerto Lopez, is negotiated and maintained through a complex interchange of three key factors: the experience of mother's love, the local economy, and sexual desire. The social space itself is defined as a "binary passage." Most of the travestâis are employed as hairdressers, and they draw a wide range of clientele from Puerto Lopez and surrounding smaller villages. Yet, how is it that travestâis can lead open and productive lives in a region that highly values machismo? This research focuses on both the origins of the travestâis' social space and the means by which it is maintained through key discourses.

This thesis examines the treatment of gay men and lesbian women through the multilayered lenses of the local Jamaican newspaper - The Gleaner, Dancehall music, and select works of Kei Miller, Kwame Dawes, and Staceyann Chin. The study is an exploratory one and as such its methodology is not confined to a prescribed model, but instead draws on a diverse range of theorists, some from postcolonialism, feminism, cultural studies, philosophy, Caribbean studies and more. This project's intent is to add to the newly emerging canon on queer Caribbean identities by further exploring societal representations of gay sexuality. The first chapter looks at the portrayal of Jamaican gay men and lesbian women through the public discourse of the Jamaica Gleaner. The second discusses the treatment of male and female homosexuality in the popular discourse of Dancehall music. The third chapter analyses the depiction of Caribbean gay and lesbian sexuality through the recent works of authors Kei Miller, Kwame Dawes and Staceyann Chin.

The following manuscript is a novel intended to explore the confusing nature of butch lesbian gender identity and the unique bonds of friendship butch women often share with one another. Lesbian culture, today, sometimes puts pressure on the term butch and pushes butch women to choose between transgender, femme and androgynous. The lead character in this novel, Sarah, struggles to come to terms with her own sexual identity amidst all this pressure to conform. She watches her friends and searches for a model of what butch is and is not but she continues to feel emotionally and physically cut off from the people she cares about. Ultimately, Sarah realizes she can move fluidly between many genders. When she stops trying to be a stereotype, she is finally able to connect with the people she cares about.