Gays in popular culture

This thesis explores the implications of visibility and invisibility of transgender people, their constructed bodies, and how these bodies are used for both personal
empowerment and education. By using various gender theorists for support, I argue that
the transgender male body obtains power through visibility. Despite the many obstacles
transgender males face, putting their bodies in a space of visibility gives them both
personal power and the power to educate others about their bodies and sexuality. In doing
a study of the human body and the different definitions applied to it, I show how we, as a
society, are restricted by gender binaries and how the transgender body serves as a gap
between the socially-constructed terms. Ultimately, transgender people are able to break
through these barriers by subverting the definitions and meaning of “male” and “female.”

For many gay men performing a gay-centric identity can be challenging. By adopting a set of expected behaviors known as the gay cultural script, many of these men are potentially met with discrimination from both heterosexual and homosexual communities. The gay cultural script is readily available as it is found within the gay ghettos and through various representations of gay men in the media. This research question examines how the gay cultural script when found within the gay ghetto and through the media's representation of gay men provides a lens to which the performance of a gay-centric identity may be communicated and shared. The focus of this research is separated into three interconnected areas: (1) exploration of gay-cultural script, (2) location to which the gay cultural script operates and, (3) analysis of the relationship between the gay cultural script and gay-centric identity performance.