Intentionality (Philosophy)

The current study investigated the interpretation of an agent's actions under the influence of external forces. Participants viewed a series of videos of an agent making a varying series of decisions and forced behaviors and were asked to predict future behavior. Firstly, we found evidence that suggests that perceivers make inferences about an agent that once they have shown a preference toward an object, they will persist with those initial desires, despite, external forces leading them to a different object. Secondly, we found evidence that suggests that submitting to a coerced choice will be perceived as reflecting a conflicting combination of pragmatic behavioral choice (due to concession to external forces) and maintenance of original desires, or, simply put, perceivers infer multiple underlying intentions in others.

Locus of an author poses questions of intentionality, how intention is discovered, expressed, hidden, revealed and interpreted. The purpose of the study is to find and apply productive interdisciplinary concepts in intentionality detection, decoding and evaluation in fictional texts. The investigation integrates traditions in literature, linguistics, cognitive science and creative writing, posing a pragmatics of intent that complements and complicates precepts in reader reception-based constructivism. Basic to a vision of pragmatic strategies: 1) situating effect and affect in an embodied mind; 2) acknowledging mutual and/or oppositional intentionalities which an embodied author and embodied reader bring to the process of fictional communication; 3) accepting language as communication that requires cognitive translation of consensually-agreed upon symbols into private representations in an embodied mind; 4) assuming that an author's fictionalizing consciousness is more discernible w hen it is navigating tensions of selection, proportion, intervention and perspective. Perceptual and close reading of J.M. Coetzee's Foe yields descriptive problematics. Analytical readings in a neglected byway of I.A. Richards' New Criticism provide pragmatic cues for detecting and evaluating intentionalities in prose. Three cross-disciplinary strategies emerge to enhance perceptual and close readings of fictional texts: 1) awareness of priming effects in form and content; 2) identification of markedness patterns; and 3) perception of tensible connections in prosaic language and artistic devices.