Creative writing

I examine Donna Barba Higuera’s The Last Cuentista to not only continue discourse on Latinx SF, but also extend it to Latinx Children’s SF. Barba Higuera highlights themes of colonialism and cultural erasure found within SF novels before disrupting them with a Latinx protagonist. She blends Anglo-Western tropes and themes with Latinx folklore and technology, creating a new canon that sees and treats both as important. Her work also allows for a story centered on providing hope in the face of trauma and erasure. I argue Barba Higuera disrupts the themes of racism and erasure in science-fiction and dystopian CYA and instead incorporates Latinx traditions of oral storytelling and Trickster figures with more common tropes found in CYA literature to ground readers in a potential world that is as culturally diverse as our present one.

A collection of stories exploring the intersection of queerness, latinidad, spirituality, and the generational impact of storytelling. This collection aims to examine the relationships between religion, tradition, politics, and the concept of culture as it crosses borders through a fictional mythos. Many of these stories reflect the hopes, desires, and anxieties of young Latinx individuals across the Americas while expanding and evolving the definition of Latin American literature.

Animalization is a creative nonfiction manuscript comprised of essays which are able to stand on their own, yet gain complexity as they inform one another. Each essay epitomizes the narrator’s attempt to reconcile with emotional instability, self-destructive behaviors, dangerous relationships, the ethics of who has to suffer, and a masochistic brain disorder. This manuscript follows its narrator’s young life as she attempts to understand herself through lived experience, as well as the lives of some extroadinary family members. The narrator’s lifelong fascination with animals supports her desire to understand pain as an applied ethical consideration and an enactment.

Blood Drive and Other Stories is a collection of fictional works. It includes stories that take place in South Florida or are inspired by the landscape of it. The themes within each vary from the limits one is willing to go to enact small-town justice, the need to conserve consciousness, adapting to age, living with medication, and the desire to burn everything down.

Some Years Ago, My Mother was Possessed is a poetry chapbook exploring a familial lineage of abuse through fictional exit interviews taken after points of emotional and physical trauma or abuse. Through surreal landscapes and speculative futures, the poems explore the remnants of abuse, and the fear of being possessed by her family’s history of motherhood.

Feed is a novel set in a fictional post-revolutionary Nebraska, at a time when the developments and progress of the revolution begins to come into question. The former revolutionaries must dive into an internet-like database, referred to as the Feed, in order to unearth memories critical to their survival.

“Death Conjunct Living” is a collection of flash essays that explores the interconnectedness between life and death—births, miscarriages, childhoods, funerals— as well as the term “empty stomach.” How a stomach can be empty of child or empty of food; how it can indicate a birth, a miscarriage, or an eating disorder. “Death Conjunct Living” is an exploration of the flash medium and how micro nonfiction can tackle macro themes.

Hoops and Other Essays is a collection driven by form and lyricism threading themes of grief, fatherhood, joy and anxiety. I place myself within an American landscape spanning South Florida, Northern Alaska, and Montgomery County, Maryland. Anchored by non-linear structures, an exploration of trauma, and a delight for language, these essays depict the coming of age of a thirty-year-old man who seems to be still coming of age. Poop is a theme; Nature is a theme. Speaking aloud to no one is a character trait, and iguanas are a motif. Hoops and Other Essays pulls free the particulars of the universal struggle of trying to be okay when things hardly ever seem okay. The collection comments on the inevitably of dying shared among the living and the pleasure and pain that emerges from loving what has to end. The essays were written over the course of two years after the sudden loss of my brother which was quickly followed by the birth of my son. In the end, Hoops and Other Essays tries to unravel how one fits between the polar opposites of human existence, with the hope to uncover more likeness than difference in the way we enter and the way we leave it.

I Would Rather Talk About Persimmons aims to understand the roots of trauma, addiction, and lineage. A discovery of what it means to be half American, half Albanian. A discovery of loving the people in our lives no matter how imperfect, no matter how painful no matter the sacrifice. The work seeks to understand the existence of joy and pain in the ways they work together and by doing so we see that emotions of the human experience are not linear, rather chaotic.

This dissertation is an anthropological lyric, a work that utilizes various modes of writing to examine and reveal the present-day predicament of the African-American woman. By engaging with transatlantic diaspora studies and Black feminist scholarship, particularly Zora Neale Hurston’s literary and linguistic contributions, herstory is bridged with the contemporary moment, allowing for an intricate and intimate dialogue between my ancestors and me. Providing a space for nontraditional voices exposes the divergent and intersecting conflicts that have and continue to arise for the descendants of slaves.
American culture is founded on war capitalism and an Africanist presence (a liberal modernity). Black women experience alarmingly high rates of discrimination, repression, oppression, and exploitation; fittingly, this work explores how haunting and trauma impact our livelihood and identity formation and functioning. Racial, monopolistic, and militaristic violences are exposed through the (re)telling of our stories, because the aftermath of colonial conquest and settlement most directly impacts our personhood. These stories portray the dynamic ways we have suffered and thrived in the face of imperialistic rule. Finally, this project aims to recompense my ancestors and me by reprinting our agencies through new forms of language.
This lyric becomes a form of feminist knowledge production that questions hegemonic epistemologies by applying various narrations. An intersubjective and reflexive account of truth grapples with linguistic hegemony and other forms of identity politics. Diasporic subjects “speak for themselves,” acting to revoke the systems and events, past and present, that strive to maintain their liminal group status.