Feminism

Women in Britain in the nineteenth century were expected to fulfill the traditional roles of wife and mother as determined by British society. Over the course of the nineteenth century, these ideals evolved, but the core functions of wife and mother remained at the center. Woman's participation outside the household was limited. British women travelers during the nineteenth century found themselves in many different environments. By examining samples of women's travel narratives from various locations in the Empire, this study analyzes the daily lives of British women in the Empire and determines that, while maintaining their roles within the private sphere as wives and mothers, women's activities in the colonies were less restricted than they would have been in Britain.

This thesis demonstrates how some women used the power of their ancestry and family name to run for political office, to become a positive role model for other women, and also to help pass laws favorable to the improvement of gender equality. Edna Pearce Lockett was unique, but also a reflection of the values of her community. Women who ran for office tended to have strong male figures in their lives that treated them as equals. They often were savvy enough to use the novelty of their gender to encourage positive press. Far from trying to be men, they accentuated their femininity through press accounts detailing their fashion sense, their dedication to feminine pursuits, and their ability to be ladies as well as serve their constituency. Edna Pearce Lockett's life also illustrates what society was like in central Florida during the first half of the 20th century for men and women living on and around the cattle industry.

This project focuses on, Behind the Green Door, a film that inaugurated and in many ways defined the genre of hard-core pornography. I will examine the subversive modes of sexual behavior created and promoted by society and will argue that pornographic films actively attempt to redefine socially created notions of sexual comportment. I will then examine the notion of sexual fantasy and behavior as represented in two pornographic films, The Masseuse and The Fashionistas, in relation to the models of sexual comportment present in Behind the Green Door. Specifically, I will study the work of two female pornographic stars, Jenna Jameson and Belladonna, and discuss the manner in which their work has reclaimed the notion of femininity and the necessity for female sexual pleasure by presenting women as sexually empowered beings able controlling and creating sexual scenarios specifically designed to garner physical pleasure.

This thesis will investigate the ways in which Hillary Rodham Clinton, former First Lady of the United States and the Junior United States Senator from New York State, appropriated strategies of liberal feminism in her political career as the first modern, working mother to serve as First Lady. A feminist First Lady, Clinton broke through the social expectations placed upon that role in an unprecedented manner by taking an active part in the political strategy and substance of her husband's administration. Her successful campaign for the United States Senate in 2000 as the first former First Lady to hold such an office proved that she has her own political clout independent of her husband. Hillary Rodham Clinton has all the marks of a liberal feminist success story: a strong political background and educational credentials, unfettered ambition, mastery of public discourse, her own political identity, and a real commitment to tough policymaking and representation in Washington. Yet despite this success, liberal feminism presents problems for the women's movement generally. After mapping the history of Hillary Rodham Clinton as a feminist political figure, I will examine whether liberal feminism is adequate in challenging patriarchal structures and other related forms of domination.