Model
Digital Document
Publisher
Florida Atlantic University
Description
This dissertation is an anthropological lyric, a work that utilizes various modes of writing to examine and reveal the present-day predicament of the African-American woman. By engaging with transatlantic diaspora studies and Black feminist scholarship, particularly Zora Neale Hurston’s literary and linguistic contributions, herstory is bridged with the contemporary moment, allowing for an intricate and intimate dialogue between my ancestors and me. Providing a space for nontraditional voices exposes the divergent and intersecting conflicts that have and continue to arise for the descendants of slaves.
American culture is founded on war capitalism and an Africanist presence (a liberal modernity). Black women experience alarmingly high rates of discrimination, repression, oppression, and exploitation; fittingly, this work explores how haunting and trauma impact our livelihood and identity formation and functioning. Racial, monopolistic, and militaristic violences are exposed through the (re)telling of our stories, because the aftermath of colonial conquest and settlement most directly impacts our personhood. These stories portray the dynamic ways we have suffered and thrived in the face of imperialistic rule. Finally, this project aims to recompense my ancestors and me by reprinting our agencies through new forms of language.
This lyric becomes a form of feminist knowledge production that questions hegemonic epistemologies by applying various narrations. An intersubjective and reflexive account of truth grapples with linguistic hegemony and other forms of identity politics. Diasporic subjects “speak for themselves,” acting to revoke the systems and events, past and present, that strive to maintain their liminal group status.
American culture is founded on war capitalism and an Africanist presence (a liberal modernity). Black women experience alarmingly high rates of discrimination, repression, oppression, and exploitation; fittingly, this work explores how haunting and trauma impact our livelihood and identity formation and functioning. Racial, monopolistic, and militaristic violences are exposed through the (re)telling of our stories, because the aftermath of colonial conquest and settlement most directly impacts our personhood. These stories portray the dynamic ways we have suffered and thrived in the face of imperialistic rule. Finally, this project aims to recompense my ancestors and me by reprinting our agencies through new forms of language.
This lyric becomes a form of feminist knowledge production that questions hegemonic epistemologies by applying various narrations. An intersubjective and reflexive account of truth grapples with linguistic hegemony and other forms of identity politics. Diasporic subjects “speak for themselves,” acting to revoke the systems and events, past and present, that strive to maintain their liminal group status.
Member of