HOTEL

This thesis is a novel that takes formal cues from works such as Italo Calvino’s Invisible Cities and Georges Perec’s Life: A User’s Manual. The work takes two separate forms in its chapters; the first being more traditional narrative chapters that follow a set of characters as they explore the surreal landscape of the titular Hotel, and the second are akin to flash fiction pieces that describe individual rooms in the Hotel. Together the narrative attempts to address issues of class and the way that capitalism subsumes people’s identities, as well as the potential of the natural world using leftist politics as a lens for this critique.