Caribbean culture studies

Taking into account: [a] the traditional mother; [b] cultural pressures/expectations; [c] religion; and [d] distinct communication differences in native vs. north American diaspora – the role of mothers when discussing sex with their daughters in Caribbean cultures has a multifaceted set of communication challenges that continue to face mothers and daughters today. When they do communicate, the conversation is predominantly about abstinence and in some cases, condom use completely excluding information about STDS and methods of birth control. The cultural and religious pressures that mothers adhere to may thwart the decision to give their daughters an informative safe sex talk. To truly have effective mother-daughter sexual communication, mothers need to craft educative safe sex messages and communicate that with their daughters. Failure to do so will only increase the likelihood of daughters engaging in risky sexual behavior.

The dramaturgy written by Cuban American, Puerto Rican, and Dominican American women propels Hispanic-Caribbean theater beyond the geographical borders of their islands, thus creating and nurturing, transnational cultural enclaves that support it while also transforming the cultural theatrical environment of the United States. This dramaturgy, with its themes and arguments, puts into practice the feminist and LGBTQ critical theories with a focus on minority groups in US society.
This work analyzes Hispanic-Caribbean theater traditions from their origins to the transformations they undergo in the United States given the influence of the various Caribbean diasporas. The essential characteristics of this drama, written by women, lead to the creation of a new theater characterized by its hybrid and bilingual roots. This dramatic cultural transformation reveals the diversity and inclusion of ethnic, racial, sexual identities, and the myriad intersectionalities found in the diasporic island communities from which it takes flight.