Seepersad, Vrishan

André Bazin, a French film theorist and critic, believed that the camera had the power to reflect an “objective reality” and therefore truthfully reveal life’s beauty and complexity. The Italian film style of neorealism focuses on capturing the realism Bazin spoke of. In direct contrast to this style is the style of surrealist film, which depict dreamlike images and operate in a fashion that abandons the 'real' and no longer follows the rules of traditional storytelling constructs. Fusing these two styles into a short film, I aim to artistically explore the phenomenon of productivity, procrastination and purpose. My thesis will document my rationale, a critical analysis, and feature the process of this project.

This study examined how the use of EnChroma glasses affects the color perception of individuals with color blindness. Differences in color vision were measured with the Farnsworth-Munsell 100 Hue Color Vision Test and the Ishihara test. The participants were individuals of varying ages with color blindness and individuals with normal color vision (matched by their age). I tested how the EnChroma glasses changed a colorblind individual’s viewing experience of color within images such as paintings and photographs. Fourteen images were selected, and for each image, the participant answered questions about the image focusing on the dynamics of color, aesthetics, and the overall engagement with the image. The EnChroma glasses improved the color discrimination in only of two out of the eight color blind participants.